This is one terrific, very accessible album. It'll be interesting to see whether its Stone Poneys/Gram Parsons-y/generally West Coasty sound will allow The Stand-In to blow up to be as big as, say, Rabbit Fur Coat was in the mid '00s.
Rose has certainly opened the door to being discovered by the Mainstream, not least by punching the U2/Coldplay button hard on the lovely 'Everywhere I go':
Slight touches of everything from The Motels to The Travelling Wilburys to Fleetwood Mac to Natalie Merchant peek through the standard gamut of Lynn, Cline, and Carter Family influences, so almost every track on the album could be a gateway drug for somebody, and, rest assured, The Stand-In is intoxicating.
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